Volume 07, Number 1, September 1996

Articles

Jameson’s Lacan

Steven Helmling

Representation Represented: Foucault, Velázquez, Descartes

Véronique M. Fóti

Special Section

Psychoanalysis and Cultural Studies
Graham Hammill, guest editor

 
 
 

Guides to the Electropolis: Toward a Spectral Critique of the Media

Allen Meek

Saving Philosophy in Cultural Studies: The Case of Mother Wit

Angelika Rauch

Poststructuralist Paraesthetics and the Phantasy of the Reversal of Generations

Vadim Linetski

Popular Culture Column

Hypercapital

David Golumbia

Hypertext

TRIP

Matthew Miller

Review Essays

“Confessions of a Net Surfer: Net Chick and Grrrls on the Web” Review of Carla Sinclair, Net Chick: A Smart-Girl Guide to the Wired World

Carina Yervasi

“‘Head Out On the Highway’: Anthropological Encounters with the Supermodern” Review of Marc Auge, Non-Places: Introduction to an Anthropology of Supermodernity

Samuel Collins

“Whose Opera Is This, Anyway?” Review of Tod Machover and MIT Media Lab’s interactive Brain Opera, performed at Lincoln Center, NYC, July 23-August 3, 1996.

Jon Ippolito

“Music and Noise: Marketing Hypertexts.” Review of Eastgate Systems, Inc.

Thomas Swiss

“(Re)Presenting the Renaissance on a Post-Modern Stage” Review of Susan Bennett, Performing Nostalgia: Shifting Shakespeare and the Contemporary Past

Theresa Smalec

“Multiplicity: Una Vista de Nada” Review of Multiplicity, directed by Harold Ramis

Crystal Downing

“Resistance in Rhyme” Review of Russell Potter, Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism

Brent Wood

Letters