Monthly Archives: June 2020

Narco-narratives and Transnational Form:The Geopolitics of Citation in the Circum-Caribbean

Jason Frydman (bio)Brooklyn College Abstract This essay argues that narco-narratives–in film, television, literature, and music–depend on structures of narrative doubles to map the racialized and spatialized construction of illegality and distribution of death in the circum-Caribbean narco-economy. Narco-narratives stage their own haunting by other geographies, other social classes, other media; these hauntings refract the asymmetries […]

Architectural Space in Windhoek, Namibia:Fortification, Monumentalization, Subversion

Julia C. Obert (bio)University of Wyoming Abstract This essay argues that contemporary postcolonial cities are definitive of Anthony Vidler’s “architectural uncanny,” and it forwards Windhoek, Namibia’s capital city, as a particularly palpable example of this phenomenon. This essay reads local literary texts and other historical documents to investigate how Windhoek’s architectural spaces condition structures of […]

Sociable Media:Phatic Connection in Digital Art

James J. Hodge (bio)Northwestern University Abstract This essay argues for the impersonally social character of phatic communication in the context of contemporary networked media culture. Georg Simmel’s theorization of sociability as a playfully impersonal mode of social being prior to difference provides the basis for a discussion of the pleasures of phatic communication in digital […]

Warhol’s Problem Project: The Time Capsules

Christopher Schmidt (bio)LaGuardia Community College Abstract This essay examines the split function of Andy Warhol’s Time Capsules as both research archive and unrealized art project. It suggests that the Time Capsules epitomize Warhol’s career-long preoccupation with consumption and waste (a concern animating much of his art production), and that the extreme materiality of the 610 […]

How “Natives” Drink. Bravo Shots, For Example: Mourning and Nuclear Kitsch

David W. Kupferman (bio)University of Hawai’i – West O’ahu Abstract Between 1946 and 1958, the United States tested sixty-seven nuclear weapons in the Marshall Islands, the largest of which was the “Bravo Shot” at Bikini Atoll on March 1, 1954. In the intervening years, the historical memory of that legacy has largely been reduced to […]

Postmodernism’s Material Turn

T.J. Martinson (bio)Indiana University – Bloomington A review of Breu, Christopher. The Insistence of the Material: Literature in the Age of Biopolitics. Minneapolis: Minnesota UP, 2014. Halfway through The Insistence of the Material, Christopher Breu compares postmodernism to a zombie. Its death has been announced multiple times, yet it always manages to find a way […]

“The Ends of Homo Sacer”

Christopher Law (bio)Goldsmiths, University of London Jessica Whyte, Benjamin Noys, Jason E. Smith and Alberto Toscano. “The Ends of Homo Sacer.” Roundtable discussion on the work of Giorgio Agamben. Centre for Philosophy and Critical Thought, Goldsmiths, University of London, 10 November 2015. On November 10, 2015 a group of four scholars of Giorgio Agamben’s work […]

Against Autonomy: Capitalism Beyond Quantification in the Autonomist Reading of Marx

Duy Lap Nguyen (bio)University of Houston Abstract This essay outlines a critique of the autonomist theory of post-Fordism as a stage of capitalism defined by immaterial forms of production that purportedly constitute “value beyond quantification,” which is to say, value exceeding the measure of spatialized time. The essay argues that this concept of immaterial labor […]

Introduction: Rolande Glicenstein’s Walter Benjamin Chapter 1

Brad Prager (bio)University of Missouri The panels that compose Rolande Glicenstein’s exquisitely illustrated graphic work depict the genesis of the bond between Walter Benjamin and Gershom Scholem, whose friendship and correspondence has been extensively documented. The originality of Glicenstein’s piece lies in her technique: the density of the lines, alternately thick and thin, taken together […]

Comics Studies’ Next Wave

Ben Novotny Owen (bio)Ohio State University A review of Hoberek, Andrew. Considering Watchmen: Poetics, Property, Politics. New Brunswick: Rutgers UP, 2014. Andrew Hoberek’s Considering Watchmen: Poetics, Property, Politics asks about the literary status of Alan Moore and Dave Gibbons’s influential comic book series, Watchmen, to structure the four main topics of his book: the comic’s […]

To France and Back: New Circuits in American Poetry

Matthew B. Smith (bio)Northern Illinois University Abstract This essay shows that translation has redefined the parameters of poetry in the United States through a case study of two works by the contemporary poets Andrew Zawacki and Bill Luoma. Both responded to the French translation of their poems with a revised or new work in English; […]

Notes on Contributors

Rolande Glicenstein was born on December 31, 1943, in hiding in the south of France of Jewish emigres from Poland. She grew up in Paris and came to the United States in 1968 where she worked as a costumer for film and television. She has a daughter, Hylda Berman, who is a sculptor living in […]