Monthly Archives: September 2013

Notices

      Volume 14, Number 2 January, 2004 Every issue of Postmodern Culturecarries notices of events, calls for papers, and other announcements, free of charge. Advertisements will also be published on an exchange basis. If you respond to one of the ads or announcements below, please mention that you saw the notice in PMC. […]

Exposition in Ruins

Charles Sheaffer Department of Cultural Studies and Comparative Literature University of Minnesota Shea0016@umn.edu   Review of: Gregory Ulmer, Internet Invention. New York: Pearson, 2003.   Gregory Ulmer’s Internet Invention can be accurately described as a composition handbook for students working in an increasingly visual culture–provided that one follows Ulmer in understanding the newfound prevalence of […]

Killing the Big Other

Daniel Worden Department of English & American Literature Brandeis University dworden@brandeis.edu   Review of: Slavoj Zizek, The Puppet and the Dwarf: The Perverse Core of Christianity.Cambridge: MIT P, 2003.   The first book in his “Short Circuits” series from MIT Press, Slavoj Zizek’s The Puppet and the Dwarf: The Perverse Core of Christianity strives to […]

Irigaray’s Erotic Ontology

Hillary L. Chute Department of English Rutgers University Kinny8@hotmail.com   Review of: Luce Irigaray, Between East and West: From Singularity to Community.New York: Columbia UP, 2002.   Many contemporary feminist thinkers reject the accusation, most forcefully leveled by Monique Plaza in 1978, that Luce Irigaray’s theories of the feminine are naturalist. Irigaray’s conception of “the […]

Not Just a Matter of the Internet

Stuart J. Murray Department of Rhetoric University of California, Berkeley sjmurray@socrates.berkeley.edu   Review of: Mark Poster, What’s the Matter with the Internet?.Minneapolis: U of Minnesota P, 2001.   There is surely a double entendre at work in the title of Mark Poster’s book, What’s the Matter with the Internet?. In this matter, it is not […]

Pain-in-the-ass Democracy

Jeffrey T. Nealon Department of English Pennsylvania State University jxn8@psu.edu   Review of: John McGowan, Democracy’s Children: Intellectuals and the Rise of Cultural Politics.Ithaca, NY: Cornell UP, 2002.   Are we so confident in our current formulations that we would not value the person who comes along to challenge them? More likely than not, that […]

Evolution and Contingency

Arkady Plotnitsky Theory and Cultural Studies Program Purdue University aplotnit@sla.purdue.edu   Review of: Gould, Stephen J. The Structure of Evolutionary Theory.Cambridge, MA: Harvard UP, 2002.   We often complain about long books, and, at nearly 1500 pages, Stephen Jay Gould’s magnum opus is about as long as one could find in the sciences. But then, […]

Montage/Critique: Another Way of Writing Social History

George Dillon Department of English University of Washington dillon@u.washington.edu   In the last 40 years, numbers of writers and artists have come to see Walter Benjamin as a pioneer who blazed a new way of writing historical and cultural critique. The drafts of and reflections upon his Arcades Project (Passagen-Werk) have been the subject of […]

“Eden or Ebb of the Sea”: Susan Howe’s Word Squares and Postlinear Poetics

Brian Reed Department of English University of Washington, Seattle bmreed@u.washington.edu   In Poetry On & Off the Page(1998), Marjorie Perloff argues that the era of free verse may be drawing to a close. She examines recent work by a number of avant-garde poets–among them Caroline Bergvall, Karen Mac Cormack, Susan Howe, Maggie O’Sullivan, Joan Retallack, […]

Reading Game/Text: EverQuest, Alienation, and Digital Communities

Eric Hayot Department of English University of Arizona ehayot@u.arizona.edu   Edward Wesp Department of English University of Wisconsin at Milwaukee edwesp@uwm.edu   A lot had to happen between 1915, when the U.S. Supreme Court first ruled that cinema was not “speech” and was thus unprotected by the First Amendment, and 1982, when the Court decided […]

From Advertising to the Avant-Garde: Rethinking the Invention of Collage

David Banash Department of English Western Illinois University D-Banash@wiu.edu   I see no reason why the artistic world can’t absolutely merge with Madison Avenue   –William S. Burroughs (“Art of Fiction” 29)   Cutting Up Consumer Culture: “Big Daddy”   In her article “The Invention of Collage,” Marjorie Perloff begins the story of collage at […]

Notices

      Volume 14, Number 3 May, 2004 Every issue of Postmodern Culturecarries notices of events, calls for papers, and other announcements, free of charge. Advertisements will also be published on an exchange basis. If you respond to one of the ads or announcements below, please mention that you saw the notice in PMC. […]

Spectres of Freedom in Stirner and Foucault: A Response to Caleb Smith’s “Solitude and Freedom”

Saul Newman Department of Political Science University of Western Australia snewman@cyllene.uwa.edu.au   I am grateful to Caleb Smith for his response to my essay “Stirner and Foucault: Towards a Post-Kantian Freedom,” and I particularly like the way he links my discussion of a post-Kantian freedom to strategies of resistance against contemporary forms of incarceration. Already, […]

Solitude and Freedom: A Response to Saul Newman on Stirner and Foucault

Caleb Smith Department of English Duke University cjs5@duke.edu   In a recent essay on “Stirner and Foucault,” Saul Newman brings these “two thinkers not often examined together” into a conversation about freedom, coercion, and individual subjectivity. Newman uses Stirner and Foucault to explore a discourse of freedom formulated by Kant and dominant since the Enlightenment, […]

Excursions into Everyday Life

David Alvarez Department of English Grand Valley State University alvarezd@gvsu.edu   Review of: Ben Highmore, ed., The Everyday Life Reader.London: Routledge, 2002.   Perhaps it is one of the symptoms of our theory-saturated, post-everything moment that everyday life has recently become not just an object of cultural analysis, but a crucial interpretive category in its […]

Supporting the Cage

Andy Weaver Department of English University of Alberta aweaver@ualberta.ca   Review of: David W. Bernstein and Christopher Hatch, eds., Writings through John Cage’s Music, Poetry, and Art.Chicago: U of Chicago P, 2001.   Agree or disagree with his aesthetics, his ideas, or his politics, no one seriously engaged in studying the arts of the twentieth […]

Aesthetic Primacy, Cultural Identity, and Human Agency

Michael S. Martin English Department Temple University msmartin@temple.edu   Review of: Emory Elliott, Louis Fretas Caton, and Jeffrey Rhyne, eds., Aesthetics in a Multicultural Age.New York and Oxford: Oxford UP, 2002.   “Let us, for example, credit it to the honor of Kant that he should expatiate on the peculiar properties of the sense of […]

Poet, Actor, Spectator

Stuart Kendall stuartkendall@kanandesign.com   Review of: Clayton Eshleman, Juniper Fuse: Upper Paleolithic Imagination and the Construction of the Underworld.Middleton, CT: Wesleyan UP, 2003.   Section five of Nietzsche’s The Birth of Tragedy ends with a curious figure, a “weird image from a fairy tale which can turn its eyes at will and behold itself […] […]

Lyotard’s Anti-Aesthetics: Voice and Immateriality in Postmodern Art

Gillian B. Pierce Department of Foreign Languages Ashland University gpierce@ashland.edu   Review of: Jean-François Lyotard, Soundproof Room: Malraux’s Anti-Aesthetics. Trans. David Harvey. Stanford, CA: Stanford UP, 2001. (Originally published in French under the title Chambre Sourde: L’Antiesthétique de Malraux.Paris: Editions Galilée, 1998.)   Soundproof Room, the final completed work by the cultural philosopher Jean-François Lyotard, […]

Virtually: The Refreshment of Interface Value

Robert Payne School of Humanities University of Western Sydney r.j.payne@uws.edu.au   In April 2002, the Supreme Court of the United States handed down its ruling of Ashcroft v. Free Speech Coalition, a case in which a certain semantic specificity seemed ultimately to take precedence over the moral and emotional imperatives that propelled the central argument […]

“Myriad Little Connections”: Minoritarian Movements in the Postmodernism Debate

  Pelagia Goulimari Angelaki: Journal of the Theoretical Humanities goulimari@angelaki1.demon.co.uk   The vast postmodernism debate, whose expansive and canonical phase spanned from the early 1980s to the mid-1990s but which has yet to reach a point of settlement or closure, engages with a multiplicity of questions, among which “what is postmodernism?” is not necessarily the […]

The Time of Interpretation: Psychoanalysis and the Past

Jason B. Jones Department of English Central Connecticut State University jonesjason1@ccsu.edu   In his seminar of 1966-67 on the logic of fantasy, Jacques Lacan reported to his audience that he had recently been asked what need, what exigency drove him to theorize the objet a as object/cause of desire. According to the transcripts of this […]

The Human and his Spectacular Autumn, or, Informatics after Philosophy

Anustup Basu Department of English University of Pittsburgh anbst42@pitt.edu   Toward the beginning of Gabriel García Márquez’s novel El Otono del Patriarca, the protagonist, who is the dictator of an imaginary Latin American republic, is seen to witness his own funeral. That is, he sees himself being buried de facto, in terms of an ordering […]

Aesthetics without Art: The Para-Epistemic Project of Kant’s Third Critique

Christopher Forster English Department University of Virginia csf2g@virginia.edu   Review of: Rodolphe Gasché. The Idea of Form: Rethinking Kant’s Aesthetics. Stanford: Stanford UP, 2003.   When poststructuralists return to “classics” of Western philosophy, it is often in a spirit of revision. When Lacan turns his attention to Kant, it is to insist, against prevailing wisdom, […]

How Postmodern Is It?

Mark A. Cohen French Department Sarah Lawrence College mcohen@slc.edu   Review of: Maurice Blanchot, The Book to Come. Trans. Charlotte Mandell. Stanford: Stanford UP, 2003.   The Book to Come was published in 1959 and is composed entirely of articles written for the Chroniques section of the Nouvelle Revue Française between 1953 and 1958.1 It […]

Danger Mouse’s Grey Album, Mash-Ups, and the Age of Composition

Philip A. Gunderson English Department San Diego Miramar College pgunders73@hotmail.com   Review of: Danger Mouse (Brian Burton), The Grey Album, Bootleg Recording   Depending on one’s perspective, Danger Mouse’s (Brian Burton’s) Grey Album represents a highpoint or a nadir in the state of the recording arts in 2004. From the perspective of music fans and […]

Theory’s Hubris

Andrew Timms Department of Music University of Bristol A.Timms@bristol.ac.uk   Review of: Helmling, Steven. The Success and Failure of Fredric Jameson: Writing, the Sublime, and the Dialectic of Critique.Albany: SUNY P, 2001.   While Fredric Jameson’s status as Marxism’s leading theorist of postmodernity is secure–and his influence on many arts and humanities disciplines undeniable–his work, […]

Identity Poetics? or, The Norton Anthology of Modern and Contemporary Poetry

V. Nicholas LoLordo Department of English University of Nevada at Las Vegas lolordov@unlv.nevada.edu   Review of: Ramazani, Jahan, Richard Ellmann, and Robert O’Clair, eds. The Norton Anthology of Modern and Contemporary Poetry.3rd ed. New York: Norton, 2003.     Authors are the sentimental background of literature.   –Laura (Riding) Jackson   poets are retreating into–or […]

On Media and Modules

Stephen Dougherty Fine Arts and Humanities Division Elizabethtown Community and Technical College stephen.dougherty@kctcs.edu   Review of: Tabbi, Joseph, Cognitive Fictions. Minneapolis: U of Minnesota P, 2002.   Cognitive Fictions is a sophisticated and fascinating book that asks difficult questions about the place of literature and the literary artist in the age of digitized mass media. […]

Postmodern Archaic: The Return of the Real in Digital Virtuality

Gerald Gaylard Department of English University of the Witwatersrand, South Africa geraldgaylard@languages.wits.ac.za   Our entire linear and accumulative culture would collapse if we could not stockpile the past in plain view.   –Jean Baudrillard, Simulations 19   The standard spin given to digital virtuality in our era, and not just by advertising copywriters, is that […]

Reading Cultural Studies, Reading Foucault

Rimi Khan School of Media Communication and Culture Murdoch University, Western Australia rimikhan@hotmail.com   Because there is commonly such a buzz of contradictory comment going on around him–as his friends and enemies push him to the left, right, and centre or sometimes off the political spectrum altogether–Foucault could assert that it proves what he contends: […]

Executive Overspill: Affective Bodies, Intensity, and Bush-in-Relation

Jenny H. Edbauer Department of English University of Texas at Austin edbauer@mail.utexas.edu   If there were no escape, no excess, no remainder, . . . the universe would be without potential, pure entropy, death. Actually existing, structured things live in and through that which escapes them. Their autonomy is the autonomy of affect.   –Brian […]

The Sense of Space: On the Specificity of Affect in Deleuze and Guattari

Claire Colebrook Department of English Literature University of Edinburgh Claire.Colebrook@ed.ac.uk   The relation between mathematics and man may thus be conceived in a new way: the question is not that of quantifying or measuring human properties, but rather, on the one hand, that of problematizing human events, and, on the other, that of developing as […]

The Différance of the World: Homage to Jacques Derrida

Arkady Plotnitsky Theory and Cultural Studies Program Department of English Purdue University aplotnit@sla.purdue.edu   With the death of Jacques Derrida, the world has lost one of its greatest philosophers, as well as one of the most controversial and misunderstood. But then, controversy and misunderstanding are part and parcel of philosophical greatness. Plato is still controversial […]

Notices

    Volume 15, Number 2 January, 2005   Signs: Journal of Women in Culture and Society Works and Days 43/44 Capitalizing on Play: The Politics of Computer Gaming  

Some Day My Mom Will Come

Heather Love Department of English University of Pennsylvania loveh@english.upenn.edu   Review of: Esther Sánchez-Pardo, Cultures of the Death Drive: Melanie Klein and Modernist Melancholia.Durham: Duke UP, 2003.   Back in 1979, Robert Hass wrote, “all the new thinking is about loss. In this it resembles all the old thinking.” He seemed to be referring to […]

Whose Conspiracy Theory?

Andrew Strombeck Department of English University of California, Davis amstrombeck@ucdavis.edu   Review of: Peter Knight, Conspiracy Culture: From Kennedy to the X-Files.New York: Routledge, 2000.   In the post-9/11 world, cultural paranoia and its number-one star, conspiracy theory, have reemerged with a vigor unseen since their heyday in the fifties. The Bush Administration’s anti-terrorism rhetoric […]

Whither the Actually Existing Internet?

Chris McGahan English Department Yeshiva University clm7458@nyu.edu   Review of: McKenzie Wark, A Hacker Manifesto. Cambridge: Harvard UP, 2004; and Vincent Mosco, The Digital Sublime: Myth, Power, and Cyberspace.Cambridge: MIT P, 2004.   Anyone with an interest in political and cultural developments in and around cyberspace would welcome new books by McKenzie Wark and Vincent […]

From the Proletariat to the Multitude: Multitude and Political Subjectivity

Jason Read Philosophy Department Colby College jread@colby.edu   Review of: Michael Hardt and Antonio Negri, Multitude: War and Democracy in the Age of Empire.New York: Penguin, 2004. Where Michael Hardt and Antonio Negri’s first book, Empire, defined an object of critique–the book’s title is also their name for the global order they seek to analyze–their […]

Maximal Minimalism

Charles Altieri Department of English University of California, Berkeley altieri@uclink4.berkeley.edu and Rei Terada Departments of English and Comparative Literature University of California, Irvine terada@uci.edu   Review of: Robert Smithson. Museum of Contemporary Art, Los Angeles. 12 Sep.-13 Dec. 2005.   We saw this show together. We saw it differently. We enjoyed those differences and wanted […]